{"id":16804,"date":"2020-09-04T17:38:29","date_gmt":"2020-09-04T15:38:29","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&p=16804"},"modified":"2025-05-06T15:50:47","modified_gmt":"2025-05-06T13:50:47","slug":"schweizer-musik-des-20-jahrhundert-frank-martin-ballade-ernest-ansermet-morceau-de-lecture-ernest-bloch-concertino-joachim-forlani-yonatan-kadosh-adalberto-maria-riva","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/de\/produit\/schweizer-musik-des-20-jahrhundert-frank-martin-ballade-ernest-ansermet-morceau-de-lecture-ernest-bloch-concertino-joachim-forlani-yonatan-kadosh-adalberto-maria-riva\/","title":{"rendered":"SCHWEIZER MUSIK DES 20. JAHRHUNDERT – FRANK MARTIN : BALLADE – ERNEST ANSERMET : MORCEAU DE LECTURE – ERNEST BLOCH : CONCERTINO… – JOACHIM FORLANI – YONATAN KADOSH – ADALBERTO MARIA RIVA"},"content":{"rendered":"

Schweizer Musik des 20. Jahrhundert<\/strong><\/p>\n

Frank MARTIN :<\/strong> Ballade pour fl\u00fbte et piano \u2013 Ernest ANSERMET :<\/strong> Morceau de lecture pour clarinette et piano \u2013 George Templeton STRONG :<\/strong> In the Twilight, Op. 44: No. 1 The Nightingale – No. 2 The Coming of the Katydids – No. 3 The Owl – No. 4 The Witches – No. 5 The Fairy \u2013 \u00c9mile JAQUES-DALCROZE :<\/strong> Deux pi\u00e8ces pour fl\u00fbte: I. Andante – II. Moderato scherzando \u2013 Roger VUATAZ :<\/strong> Passacaille pour clarinette et piano \u2013 Jean BINET :<\/strong> Petit concert pour clarinette et piano: I. Allegro giusto – II. Andante tranquillo – III. Vivo, ma non troppo \u2013 Ernest BLOCH :<\/strong> Concertino for Flute Clarinet and Piano: I. Allegro comode – II. Andante – III. Allegro \u2013 Joachim FORLANI :<\/strong> Bis.<\/p>\n

Joachim Forlani<\/strong>, Klarinette (Web Site)<\/a> \u2013 Yonatan Kadosh<\/strong>, Fl\u00f6te (Facebook)<\/a> \u2013 Adalberto Maria Riva<\/strong>, Klavier (Web Site)<\/a>.<\/p>\n

Schweizer Musik des 20. Jahrhundert – Solo – Duo – Trio<\/strong><\/p>\n

Wind playing in Romandy (French-speaking Switzerland) is closely related to the development of brass bands and wind bands in the second half of the nineteenth century. Nonetheless, teaching of these instruments at conservatories \u2013 woodwind and brass instruments alike \u2013 did not develop until after the First World War.<\/p>\n

Since the foundation of the Orchestre de la Suisse Romande, Ernest Ansermet secured the services of virtuoso musicians, trained at the Paris or Brussels Conservatoires, who in their capacity as professors applied a genuine professionalism to conservatory classes in Romandy. Like their colleagues all over Europe, where music for wind instruments became more common from the 1920s onwards, Swiss composers would contribute to a repertoire that would blossom with the spread of the neo-classical aesthetic and the taste for
\nforthright timbres and rhythms that was prevalent at the time. In fact, although composers before the First World War \u2013 with the notable exception of figures such as Hans
\nHuber or Joseph Lauder \u2013 were rarely inspired by wind instruments, works for brass and (especially) woodwind would soon proliferate, by young composers from Romandy and Germany.<\/p>\n

In addition, Henri Gagnebin and Fr\u00e9d\u00e9ric Liebstoeckl, who founded the Geneva International Music Competition (Concours International d\u2019Ex\u00e9cution Musicale de Gen\u00e8ve) in 1939, decided that every competitor would have to perform a compulsory piece, preceded by a sight-reading test \u2013 both pieces commissioned from Swiss composers. This initiative enriched the wind repertoire with many remarkable works. The present recording offers proof of this, at the same time letting us discover piano works by two of the key musical figures in Romandy, George Templeton-Strong and \u00c9mile Jaques-Dalcroze \u2013 the latter a brilliant teacher: all the other composers represented on this disc were his pupils.<\/p>\n

Jacques Tchamkerten<\/em><\/p>\n

 <\/p>\n

CD-1625-Booklet.pdf<\/a><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

 <\/p>\n

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