{"id":30524,"date":"2021-03-22T17:36:42","date_gmt":"2021-03-22T16:36:42","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&p=30524"},"modified":"2025-05-06T15:50:41","modified_gmt":"2025-05-06T13:50:41","slug":"bach-telemann-mozart-faure-oeuvres-pour-flute-gabriel-fumet","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/de\/produit\/bach-telemann-mozart-faure-oeuvres-pour-flute-gabriel-fumet\/","title":{"rendered":"BACH – TELEMANN – MOZART – FAUR\u00c9: WERKE F\u00dcR FL\u00d6TE – GABRIEL FUMET"},"content":{"rendered":"

Johann Sebastian BACH:<\/strong> Flute Partita in A Minor. BWV 1013: I. Allemande – Frederick THE GREAT:<\/strong> Flute Sonata No. 2 in C Minor: I. R\u00e9citatif – II. Andante e cantabile – III. Presto – Jean-Marie LECLAIR:<\/strong> Violin Concerto in C Major, Op. 7, No. 3: II. Adagio – Georg Philipp TELEMANN:<\/strong> Recorder Sonata in F Minor, TWV 41:F1: I. Triste – II. Allegro – III. Andante – IV. Vivace – Christoph Willibald GLUCK:<\/strong> Orph\u00e9e et Eurydice WQ. 41: Sc\u00e8ne des Champs-Elys\u00e9es – Wolfgang Amadeus MOZART:<\/strong> Violin Sonata in B-Flat Major, K. 15: I. Andante maestoso – II. Allegro grazioso – Franz SCHUBERT:<\/strong> Introduction et variations sur un th\u00e8me de La Belle Meuni\u00e8re, Op. 160, D. 802: I. Introduction – II. Th\u00e8me – V. Variation No. 3 – VI. Variation No. 4 – Gaetano DONIZETTI:<\/strong> Sonata for Flute and Piano in C Major – Gabriel FAUR\u00c9:<\/strong> Fantaisie, Op. 79 – Gabriel FUMET:<\/strong> Interm\u00e8de romantique.<\/p>\n

Gabriel Fumet<\/strong>, Fl\u00f6te – Georges Rabol<\/strong>, Cembalo – Jean Galard<\/strong> & Jean-Paul Imbert<\/strong>, Orgel – Sylvie Dugas<\/strong>, Nathalie Wayser<\/strong>, \u00c9rik Berchot<\/strong>, David Berdery<\/strong>, Klavier.<\/p>\n

<\/h4>\n

Gabriel FUMET – flutist<\/h4>\n

Musical studies at the Paris National Conservatory \u2022 1st prize in Flute (with Gaston Crunelle) \u2022 1st prize in Chamber Music (with Fernand Oubradous) \u2022 Selected for the Chamber Music Perfection Cycle \u2022 Soloist-Concert Artist at Radio-France. International Concert Artist \u2022 Grand Prix from the Fondation de France (Charles Oulmont).<\/p>\n

From the beginning of his concert career, at the first Corsica Festival with Jean-Bernard Pommier, pianist, Jean Mouill\u00e8re, violinist, the Via Nova Quartet and Martine Geliot, harpist, Gabriel FUMET was singled out by the critics as \u201cin the very first ranks of the French school of flute playing, which, as everyone knows, is at a very high level\u201d (Le Figaro).<\/p>\n

More recently, the monthly magazine \u201cMusiquinfo\u201d entitled an article about him: \u201cA musician-poet, with uncommon sensitivity and musical style\u201d. His concerts in the city of Salzburg, including several recitals at the Mozarteum, also earned him particularly warm reviews in the Austrian press, which emphasized \u201cthe admirable expressive force in his playing\u201d (Salzburger Nachrichten), and also \u201cthe extraordinary musical tension in his interpretations\u201d (L\u00e4ndlicher Raum). In March of 2005, Gabriel FUMET was invited to St. Petersburg for a recital of French music, for the world premier of his grandfather\u2019s choral piece, \u201cSaisons\u201d. The two concerts, given by the Yulia Khutoretskaya vocal ensemble in collaboration with the Toison d\u2019Art, were particularly successful.<\/p>\n

Gabriel FUMET has also accomplished remarkable work in presenting the works of his grandfather, Dynam-Victor Fumet (1867-1949) and his father, Raphael Fumet (1898-1979), both excellent composers. The Edmond de Rothschild financial company and the Fondation Paribas helped him to record several major works on CD. Gabriel FUMET teaches at the Paris International Conservatory where he accepts both amateurs and professionals. In addition to his career as a soloist, Gabriel Fumet published a book \u201cThe Music of Silence\u201d describing the atypical course of his ancestors (Delatour Editions). This work, in an incisive and eloquent style, has been awarded by the Languedoc Academy of Arts, Letters and Sciences.<\/p>\n

 <\/p>\n

Note that the CD is composed of various recordings, many of which are live, and sometimes does not give them first-rate technical quality. But these recordings, some of which date back more than thirty years, were chosen above all for their expressive presence.<\/p>\n

 <\/p>\n

VEL 1644 Booklet.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

 <\/p>\n

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