{"id":104826,"date":"2010-02-02T01:52:21","date_gmt":"2010-02-02T00:52:21","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&p=104826"},"modified":"2025-08-18T12:14:43","modified_gmt":"2025-08-18T10:14:43","slug":"rene-gerber-36-pieces-for-piano","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/en\/produit\/rene-gerber-36-pieces-for-piano\/","title":{"rendered":"Ren\u00e9 Gerber: 36 Pieces for Piano – Ruth Gerber, Alexis Golovin, Catherine Aubert, C\u00e9line Volet-Chaillet (4 Vinyls Box)"},"content":{"rendered":"

Ren\u00e9 GERBER:<\/strong> 36 Pieces for Piano: 1. Les licornes – 2. Ruelle \u00e0 St-Sorlin – 3. La peseuse d’or – 4. Paysage pastoral – 5. Forlane – 6. Espringale – 7. La belle matineuse – 8. Chaumine – 9. Le mastroquet – 10. Laure de Noves – 11. Cavalcade – 12. Toccata – 13. Hommage \u00e0 Andreae – 14. Dulcinea del Toboso – 15. Balletto – 16. Lenth\u00e9ric-Paris-France – 17. Pantomime – 18. Le marchand d’oiseaux – 19. Slow-fox – 20. Paysannerie – 21. Dinarzade – 22. Ritornello – 23. Le jardin d’amour – 24. La foire sur le parvis – 25. Le miroir – 26. Claudia – 27. Passacaille – 28. La Capitainerie de Chantilly – 29. Sarabande sur le nom de Blanc – 30. Invention<\/p>\n

Alexis Golovin, Catherine Aubert, C\u00e9line Volet-Chaillet, Ruth Gerber,<\/strong> Piano<\/p>\n

\n

36 Pieces for Piano<\/h4>\n

Each of these 36 pieces for Piano carries with it a title. Consequently, with only a few exceptions, they all depend on one of the composer’s two ways of conceiving musical composition.<\/p>\n

The \ufb01rst approach, which he calls \u00abspeci\ufb01c\u00bb, consists in elaborating a work from a given source of inspiration. It is by no means a question of imitative or descriptive music \u2014 an approach which the composer totally repudiates \u2014 but rather of a transposition on both the suggestive and the purely musical levels. (The work extracted from the title must be self-su\ufb03cient.)<\/p>\n

This \ufb01rst conception of musical composition can be broadly contrasted with the second, which is uniquely concerned with developing musical ideas arising spontaneously in the mind and consciously inscribing them within the traditional forms \u2014 these architectural modes so marvelously fashioned by time.<\/p>\n

Unlike the works of the second type (which the composer has also produced and which will be the object of a later album), the \u00abspeci\ufb01c\u00bb compositions can be altogether di\ufb00erent from one another in character and appearance: the substance and the form have been engendered, so to speak, by the source of inspiration.<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Ren%C3%A9_Gerber<\/a><\/p>\n

\n

Booklet 30-397-400.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Extraits \/ Excerpts<\/strong><\/p>\n

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