{"id":106908,"date":"2026-08-15T19:10:57","date_gmt":"2026-08-15T17:10:57","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&p=106908"},"modified":"2026-08-16T02:08:44","modified_gmt":"2026-08-16T00:08:44","slug":"oeuvres-pour-guitare-vol-2-dominique-phillot","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/en\/produit\/oeuvres-pour-guitare-vol-2-dominique-phillot\/","title":{"rendered":"Works for Guitar, Vol. 2 – Dominique Phillot"},"content":{"rendered":"

Dominique PHILLOT:<\/strong> Antin’s Funny Dance – Clear Source – De glace et d’eau – Two Times Five Tones – Abstraction – Viva Leovigildo – Hiver obscur – Another Kind of Path – \u00dcber Bachs Name – Dream – El\u00e9gie – Berimbau.<\/p>\n

Dominique Phillot<\/strong>, Guitar<\/p>\n

\n

Dominique Phillot<\/strong> is a Swiss guitarist and composer. A graduate of the Institut de Ribaupierre (Lausanne, Switzerland) with a Concert Performer\u2019s Diploma, he furthered his studies in Spain under Jorge Cardoso and Jos\u00e9 Tom\u00e1s. He has performed in some twenty countries, presenting the Spanish and Ibero-American repertoire as well as works by contemporary Swiss composers. In the field of improvised music, he has developed the projects \u201cRoute de la Soie\u201d and \u201cTransatlantic Path.\u201d<\/p>\n

Dominique Phillot has directed major guitar festivals in Switzerland, Portugal, and Spain. He currently co-directs the R\u00edo Negro International Guitar Festival in Argentina.
\nHe has recorded five albums and written some thirty compositions for guitar. In 2027, he will premiere his Concerto for Guitar and Orchestra.
\nIn 2025, he also composed a \u201cFantasy for Guitar Orchestra.\u201d<\/p>\n

Since 2020, following the release of the album \u201cWorks for Guitar,\u201d he has focused primarily on his work as a composer. The album was well received by leading figures in the guitar world, including Jorge Cardoso, Eduardo Mart\u00edn, Christoph J\u00e4ggin, Ahmed Dickinson, and Lucio N\u00fa\u00f1ez.
\nStarting in 2022, he has had the opportunity to present his compositions at the National University of Costa Rica, the Prague Conservatory, the Maria Luisa Anido Festival in Buenos Aires, and the Second R\u00edo Negro Guitar Festival. Other projects are planned in Switzerland, the United States, Argentina, and Cuba.<\/p>\n

\n

Presentation of Works<\/h4>\n

Antin\u2019s Funny Dance<\/strong> \u2022 Tonal composition based on a succession of pentatonic scales punctuated by jazz chords. The middle section is quieter and more dissonant.<\/p>\n

Clear Source<\/strong> \u2022 A piece based on an old French song: \u00c0 la claire fontaine. For this piece, I used the spectral technique.<\/p>\n

De glace et d\u2019eau<\/strong> \u2022 Tonal piece in three parts: arpeggios, toccata and chord succession.<\/p>\n

Two Times Five Tones<\/strong> \u2022 Composition based on bipentaphonic scales. The second part is treated in the manner of a Gregorian chant.<\/p>\n

Abstraction<\/strong> \u2022 Abstract, atonal piece: small dissonant phrases punctuated by consonant chords. The work is inspired by the widespread serialism of the 1950s-1960s.<\/p>\n

Viva Leovigildo<\/strong> \u2022 A tribute to Leo Brouwer, a fundamental composer of the modern guitar. The piece has three parts: a rapid toccata, a romantic arioso and a suite of arpeggios in an Ibero-American mood.<\/p>\n

Dark Winter<\/strong> \u2022 After an introduction of chords generated by an Indian scale, the piece develops into an arpeggio section around the tones E, F#, G, F#, G.<\/p>\n

Another Kind of Path<\/strong> \u2022 Spectral composition alternating modal melodies and big jazz chords.<\/p>\n

\u00dcber Bachs Name<\/strong> \u2022 J. S. Bach\u2019s initials correspond to the notes B, A, C, B\u266d. As did Franz Liszt and other composers, for example, I wrote an impetuous piece composed with these four notes.<\/p>\n

Dream<\/strong> \u2022 A very quiet atonal piece, also inspired by widespread serialism (Boulez, Stockhausen, Nono or Babbitt).<\/p>\n

Elegy<\/strong> \u2022 Dissonant piece based on a series of twelve notes repeated with increasingly dense harmonic support.<\/p>\n

Berimbau<\/strong> \u2022 Reference to a primitive instrument from Africa used by the Brazilian natives. The first part and finale are impetuous, while the lyrical middle section takes the form of a song.<\/p>\n

Dominique Phillot<\/strong><\/em><\/p>\n

\n

CD-1765 Booklet.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Extraits \/ Excerpts<\/strong><\/p>\n

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