{"id":16493,"date":"2020-06-13T16:11:34","date_gmt":"2020-06-13T14:11:34","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&p=16493"},"modified":"2025-05-06T15:57:57","modified_gmt":"2025-05-06T13:57:57","slug":"dominique-phillot-guitar-works","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/en\/produit\/dominique-phillot-guitar-works\/","title":{"rendered":"DOMINIQUE PHILLOT \u2013 GUITAR WORKS"},"content":{"rendered":"

Dominique PHILLOT :<\/strong> Micro-Climats:<\/strong> I. Pr\u00e9lude – II. Comme une gigue – III. Lamento – IV. Final – Etudes: I. B\u00e9nar\u00e8s (\u00e0 Jorge Cardoso) – II. Verkohiansk – III. Habana – IV. Brasilia – V. Salamanca (\u00e0 Pablo Phillot Molina) – D’un Monde \u00e0 l’Autre<\/strong> (\u00e0 Georges Phillot) – Variations Webern: I. Introduction – II. Horizontal – III. Vertical – Carillon Proven\u00e7al<\/strong> (\u00e0 Marie-H\u00e9l\u00e8ne Dos Santos) – Woodstock Fantasy<\/strong> (\u00e0 Larry Coryell): Th\u00e8me et Western Song.<\/p>\n

Dominique Phillot<\/strong><\/a>, Guitar.<\/p>\n

Booklet CD-1615.pdf<\/a><\/p>\n

This disc reflects my musical evolution over the past few years. In 2010, I changed my life, putting an end to a 35-year teaching career in order to devote myself to the preparation of my concerts and to composition. I initially wrote a first etude, Salamanca, having moved to that region of Spain, and began the suite Micro-Climats<\/em>.<\/p>\n

From 2011 to 2013, whilst living in La Mancha, I composed three more etudes: B\u00e9nar\u00e8s, Verkohiansk and Brasilia. Habana was written in Cuba during a brief stay on the island where I was giving a concert.<\/p>\n

Although Micro-Climats<\/em> was influenced by the Second Viennese School, the etudes are pieces of a guitar nature. This music is imbued with the memory of Villa-Lobos, Brouwer and Piazzolla. As for B\u00e9nar\u00e8s, it is based on an Indian mode.<\/p>\n

D\u2019Un Monde \u00e0 l\u2019Autre<\/em> is a work written in memory of my father, the organist and composer Georges Phillot. In it are found writing methods of which Olivier Messiaen was fond. I wrote this piece whilst living in Perpignan.<\/p>\n

The Webern Variations<\/em> are based on a theme by the Austrian composer, and the inspi- ration is essentially serial.<\/p>\n

Carillon Proven\u00e7al<\/em> is a spectral score in homage to those composers of the late 20th century who were, for example, Murail or Radulescu. The piece was also written in France.<\/p>\n

Woodstock Fantasy<\/em> refers to the famous 1969 rock festival, a great moment in the music of the 20th century. The piece is dedicated to jazz guitarist Larry Coryell who exerted a great influence on me in the \u201870s. The final part, Western Song, is a veiled reference to the vast open spaces of North America of which I am particularly fond. The work was recently composed in Valencia.<\/p>\n

Dominique Phillot<\/strong>
\nTranslated by John Tyler Tuttle<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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