{"id":31761,"date":"2021-09-04T17:10:11","date_gmt":"2021-09-04T15:10:11","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&#038;p=31761"},"modified":"2025-05-06T15:56:55","modified_gmt":"2025-05-06T13:56:55","slug":"hommage-a-armin-jordan-bloch-schelomo-b-39-dutilleux-tout-un-monde-lointain-francois-guye-orchestre-de-la-suisse-romande-armin-jordan","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/en\/produit\/hommage-a-armin-jordan-bloch-schelomo-b-39-dutilleux-tout-un-monde-lointain-francois-guye-orchestre-de-la-suisse-romande-armin-jordan\/","title":{"rendered":"Hommage \u00e0 Armin Jordan &#8211; Bloch: Schelomo, B. 39 &#8211; Dutilleux: Tout un monde lointain &#8211; Fran\u00e7ois Guye, Cello &#8211; Orchestre de la Suisse Romande &#8211; Armin Jordan, Conductor"},"content":{"rendered":"<h3><strong>Hommage \u00e0 Armin Jordan<br \/>\n<\/strong><\/h3>\n<h3><a href=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/09\/Diapason-VEL1620.pdf\" target=\"_blank\" rel=\"noopener\"><strong><img decoding=\"async\" class=\"alignnone wp-image-32735\" src=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/09\/diapason-dor.jpg\" alt=\"\" width=\"65\" height=\"65\" srcset=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/09\/diapason-dor.jpg 600w, https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/09\/diapason-dor-300x300.jpg 300w, https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/09\/diapason-dor-150x150.jpg 150w, https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/09\/diapason-dor-100x100.jpg 100w\" sizes=\"(max-width: 65px) 100vw, 65px\" \/><\/strong><\/a><\/h3>\n<hr \/>\n<p><strong>Ernest BLOCH:<\/strong> Schelomo, B. 39 &#8211; <strong>Henri DUTILLEUX:<\/strong> Tout un monde lointain: I. Enigme &#8211; II. Regard &#8211; III. Houles &#8211; IV. Miroirs &#8211; V. Hymne.<\/p>\n<p><strong>Fran\u00e7ois Guye<\/strong>, Cello &#8211; <strong>Orchestre de la Suisse Romande<\/strong> <a href=\"https:\/\/www.osr.ch\" target=\"_blank\" rel=\"noopener\">(https:\/\/www.osr.ch)<\/a> &#8211; <strong>Armin Jordan<\/strong>, Conductor.<\/p>\n<hr \/>\n<p><strong>Armin<\/strong><\/p>\n<p>Ordered us to use his first name. If you called him \u201cMaestro\u201d he\u2019d say:<br \/>\n&#8211; You\u2019re not going to start pissing me off!<\/p>\n<p>On the list of conductors who rise to the rostrum, Armin is in a class of his own. 15 years after his death, the memories remain emotional. A nostalgic former member of the OSR: \u201cBefore him, there had never been an Armin Jordan; after him, there never will be.\u201d<\/p>\n<p>Equally revealing of his rapport with the general staff is the warning from a former stage manager: \u201cIf ever someone dares harm a single hair on Armin\u2019s head, they\u2019ll leave here on a stretcher!\u201d<\/p>\n<p>Be that as it may, he doesn\u2019t seek stardom, which he sees as laughable. Managing a worldwide career, crossing time zones 20 times a year? What for? It makes no sense.<\/p>\n<p>Contacted by the Berlin Philharmonic:<br \/>\n&#8211; Where is Berlin?<br \/>\nApproached by the Met:<br \/>\n&#8211; Ask my son!<\/p>\n<p>At the same time he agrees to direct his wind playing pals in Nantua, with or without a fee.<\/p>\n<p>Convinced that true music belongs to its native soil, opposed to any attempt at standardization, he pursues an essentially Helvetic career, despite his many appearances in Paris.<\/p>\n<p>In front of his musicians, he always minimizes his role: \u201cThey are the ones making the music; I\u2019m like a cop at the crossroads, I just oversee the traffic.\u201d Adding that he\u2019s not there to make an exhibition of himself.<\/p>\n<p>Indeed, his gestures are quite unaffected, which frees his soloists, who &#8211; miraculously &#8211; in whatever orchestra respond with the sound he seeks.<\/p>\n<p>What other conductor, back in the green room after loud applause, would describe his performance as lamentable&#8230;<\/p>\n<p>Armin: no one\u2019s fool. \u201cInsight\u201d is an understatement to describe the subtility and lucidity that sizes up any interlocutor, the deep understanding of the inner workings of the human mind that immediately detects pretence.<\/p>\n<p>Jubilant as a child splashing through puddles, he tramples on platitudes. He is anything but a dictator. Looking as if butter wouldn\u2019t melt, he quite likes to shock, but however provoking his sallies, however debatable his jokes, they are a sign of complicity. On a background of pessimism and tragedy, Armin presents himself in playful mood, as if to flout fate. To understand Armin, one must see beyond the paradoxes.<\/p>\n<p>In what does he believe? Solely in music, the only thing capable of illustrating transcendence, of reaching beyond words. His role is therefore modestly limited to communicate what he intimately perceives. And music carried him until his last day.<\/p>\n<p>One must have seen him, before rehearsals, reach the rostrum on unsteady legs, his breathing laboured, and at the instant the music began, seen his face light up with indescribable well-being.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><em>Andr\u00e9 Piguet, Former President<\/em><br \/>\n<em>of the Amis de l\u2019OSR<\/em><\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/amisosr.ch\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/>\n<img decoding=\"async\" src=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/08\/logo_amis_osr.jpg\" alt=\"Amis de l'OSR\" \/><br \/>\n<\/a><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 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srcset=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/08\/Photo-Armin-Jordan-par-Eric-Mahoudeau-x-600-291x300.jpg 291w, https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/08\/Photo-Armin-Jordan-par-Eric-Mahoudeau-x-600.jpg 581w\" sizes=\"(max-width: 291px) 100vw, 291px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/vdegallo.com\/en\/?attachment_id=31775\"><img decoding=\"async\" width=\"238\" height=\"300\" src=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/08\/F.-Guye-et-A.-Jordan-corr-x-600-238x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/08\/F.-Guye-et-A.-Jordan-corr-x-600-238x300.jpg 238w, https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/08\/F.-Guye-et-A.-Jordan-corr-x-600.jpg 475w\" sizes=\"(max-width: 238px) 100vw, 238px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<p><a href=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/08\/VEL1620-Booklet.pdf\" target=\"_blank\" rel=\"noopener\">VEL 1620 Booklet.pdf<\/a><\/p>\n<hr \/>\n<p><a href=\"https:\/\/vdegallo.com\/wp-content\/uploads\/2021\/10\/Diapason-VEL1620.pdf\" target=\"_blank\" rel=\"noopener\">Diapason d&#8217;or<\/a><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Extraits \/ Excerpts<\/strong><\/p>\n[playlist images=\"false\" 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