{"id":3723,"date":"2016-10-26T03:59:04","date_gmt":"2016-10-26T01:59:04","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&p=3723"},"modified":"2025-05-06T15:59:28","modified_gmt":"2025-05-06T13:59:28","slug":"schubert-reinecke-von-weber-guy-raffalli-adalberto-maria-riva-2","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/en\/produit\/schubert-reinecke-von-weber-guy-raffalli-adalberto-maria-riva-2\/","title":{"rendered":"SCHUBERT \u2013 REINECKE \u2013 VON WEBER \u2013 GUY RAFFALLI, FLUTE \u2013 ADALBERTO MARIA RIVA, PIANO"},"content":{"rendered":"

Franz SCHUBERT :<\/strong> Introduction and variations for Flute and Piano, Op. Posth. 160, D. 802: No. 1, Introduction: Andante \u2013 No. 2, Thema: Andantino \u2013 No. 3, Variation No. 1 \u2013 No. 4, Variation No. 2 \u2013 No. 5, Variation No. 3 \u2013 No. 6, Variation No. 4 \u2013 No. 7, Variation No. 5 \u2013 No. 8, Variation No. 6 \u2013 No. 9, Variation No. 7: Allegro \u2013 Carl REINECKE :<\/strong> Flute Sonata, Op. 167, \u00ab\u00a0Undine\u00a0\u00bb: I. Allegro \u2013 II. Intermezzo: Allegretto vivace \u2013 III. Andante traquillo \u2013 IV. Finale: Allegro molto agitato ed appassionato, quasi presto \u2013 Carl-Maria von WEBER :<\/strong> Piano Sonata No. 2 in A-Flat Major, Op. 39, J. 199: I. Allegro moderato con spirito ed assai legato \u2013 II. Andante \u2013 III. Menuetto capriccioso: Presto assai \u2013 IV. Rondo: Moderato e molto grazioso.<\/p>\n

Guy Raffalli<\/strong>, Flute \u2013 Adalberto Maria Riva<\/strong>, Piano.<\/p>\n

Carl-Maria von Weber, The pianist virtuoso<\/h4>\n

In 1810, banished for life with his father from Wurtenberg (summons for 42 \ufb01nancial claims) Carl-Maria von Weber starts an itinerant career as pianist virtuoso crossing the whole empire as far as Switzerland (1811) and offering him the opportunity to have his operas played and to compose numerous leader.<\/p>\n

His travels allowed him to mix with the greatest artists of his time : Tieck, E. T. A. Hoffmann, Louis Spohr, Goethe and Wieland, Schubert, Beethoven… Weber who was curious and receptive could then create a style marked by his time as well as original.<\/p>\n

He will become one of the most outstanding pianists virtuoso of his time. The press will compare him to Hummel or Moscheles. The very particular morphology of his hands allowed him to play and compose a dif\ufb01cult repertory, a virtuoso one. According to Lenz, he succeded to emancipate the instrument from the united Kingdom of the organ and the harpsichord and to transform it into the piano alone \u00bb. Always according to Lenz in \u00ab The Great Piano Virtuoso \u00bb of 1872 \u00ab the knightly sonatas of Weber are the happiest and most rewarding expression of the instrument as such.<\/p>\n

The piano of Carl-Maria von Weber is emancipated from the quartet as well as from the symphony, it is an autonomous self-suf\ufb01cient piano, conscious of itself, the piano of the modern school, it opened the doorsjust in the way Liszt and Chopin used the instrument \u00bb.<\/p>\n

The majority of his works submits to the necessities of virtuosity and its effect. But because of this very virtuosity (linked to his talent and the morphology of his hands) his compositions often suffer from the construction of the work which prevents a real inner logic. Therefore the works presenting a perfect integration of this transcendant technique to the global coherence of the score are rare.<\/p>\n","protected":false},"excerpt":{"rendered":"

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