{"id":39389,"date":"2023-06-20T18:42:23","date_gmt":"2023-06-20T16:42:27","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&p=39389"},"modified":"2025-05-06T15:56:41","modified_gmt":"2025-05-06T13:56:41","slug":"de-anima-oeuvres-pour-harpe-solo-anne-bassand","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/en\/produit\/de-anima-oeuvres-pour-harpe-solo-anne-bassand\/","title":{"rendered":"De Anima: Works for Harp solo – Anne Bassand"},"content":{"rendered":"

De Anima: Works for Harp solo
\n<\/strong><\/p>\n

Henriette RENI\u00c9:<\/strong> L\u00e9gende – Paul HINDEMITH:<\/strong> Harp Sonata: I. M\u00e4\u00dfig schnell – Harp Sonata: II. Lebhaft – Harp Sonata: III. Sehr langsam – Johann Sebastian BACH:<\/strong> Toccata, Adagio & Fugue in C Major, BWV 564: II. Adagio – Benjamin BRITTEN:<\/strong> Suite for Harp, Op. 83: I. Overture – Suite for Harp, Op. 83: II. Toccata – Suite for Harp, Op. 83: III. Nocturne – Suite for Harp, Op. 83: IV. Fugue – Suite for Harp, Op. 83: V. Hymn – Franz SCHUBERT:<\/strong> Hungarian Melody in B Minor, D. 817 – Bed\u0159ich SMETANA:<\/strong> The Moldau (Arr. by H. Trnecek) – Kaija SAARIAHO:<\/strong> Fall<\/p>\n

Anne Bassand<\/strong>, Harp solo.<\/p>\n

https:\/\/www.annebassand.com\/<\/a><\/p>\n

\n

DE ANIMA<\/strong><\/p>\n

Reading \u201cOn the Soul\u201d by Fran\u00e7ois Cheng in December 2018 was a revelation for me: the explanations of the role of the soul in our lives helped me to understand and accept the human condition. In addition, the passages on the soul and music are beautiful and as a musician, it sparked the idea of making a CD linking excerpts from the book with music. So I chose solo harp pieces that have been with me for many years and that speak to the soul.<\/p>\n

Anne Bassand<\/strong><\/p>\n

Born in Geneva, Anne Bassand studies the harp with Catherine Eisenhoffer to the Conservatory of Music of her home town, then with Marie-Claire Jamet to the \u201eEcole Normale\u201c of Paris, before perfecting with Susann McDonald at the University of Indiana (USA). She also benefited from the teaching of Pierre Jamet and of the pianist Gy\u00f6rgy Seb\u00f6k. In 1992, she is a prize-winner of the International Harp Competition of the United States.<\/p>\n

Fascinated by contemporary music, she is a member of the \u00ab Ensemble Contrechamps \u00bb in Geneva and participle in numerous creations. She has create for solo harp \u201cPhalange\u201d of Arthur Kampela ( 1995 ) and \u201cRefrain\u201d of William Blank ( 2012 ).<\/p>\n

She played in festivals such as: Festival der Zukunft in Ernen, Autumn festival in Paris, Festival van Vlaaderen in Belgium, Festival \u201c Wien Modern \u201c, Festival of Gargilesse, Festival of Witten, Tage f\u00fcr Neue Musik in Z\u00fcrich, Archipel festival in Geneva, Festival \u201c Music and Friendship \u201c in Biel , Festival of Salzburg.<\/p>\n

She recorded several CD in various formations.<\/p>\n

She teaches the harp at the Musikhochschule of Lucerne and chamber music in the \u201eHaute Ecole de Musique\u201c of Lausanne.<\/p>\n

Convinced of the necessity of transmitting knowledges, she perfects in pedagogy and develops a reflection on the teaching of the harp as professor of Didactics in the \u201eHaute Ecole de Musique\u201c of Geneva.<\/p>\n

\n

CD-1690 Booklet.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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