{"id":40458,"date":"2010-04-01T17:11:00","date_gmt":"2024-01-24T18:59:05","guid":{"rendered":"https:\/\/vdegallo.com\/?post_type=product&p=40458"},"modified":"2024-01-24T19:59:09","modified_gmt":"2024-01-24T18:59:09","slug":"fribourg-brass-quartet-frescobaldi-bruckner-hindemith-tchaikovsky","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/en\/produit\/fribourg-brass-quartet-frescobaldi-bruckner-hindemith-tchaikovsky\/","title":{"rendered":"Fribourg Brass Quartet – Frescobaldi – Bruckner – Hindemith – Tchaikovsky"},"content":{"rendered":"

ANONYMOUS:<\/strong> La doune Cella – Ballo milanese – Mille regretz – Au joly bois – Vincent CICHOWICZ:<\/strong> Gaillard & Fugue (After Frescobaldi) – Anton BRUCKNER:<\/strong> Ave Maria, WAB 6 (Arr. by Jean-Fran\u00e7ois Michel) – Paul HINDEMITH:<\/strong> Morgenmusik: No. 1 – Morgenmusik: No. 2 – Morgenmusik: No. 3 – ANONYMOUS:<\/strong> Greensleeves (Arr. by Jean-Fran\u00e7ois Michel) – Pyotr Ilyich TCHAIKOVSKY:<\/strong> Album for the Youngs, Op. 39: No. 19 A Nursery Tale (Conte de la vieille bonne) – No. 1 Morning Prayer (Pri\u00e8re du matin) – No. 11 Mazurka – No. 16 Old french Song (M\u00e9lodie antique fran\u00e7aise) – No. 18 Neapolitan Song (Chanson napolitaine) – George William LOTZENHISER:<\/strong> 3 Hungarian folk Songs for Brass Quartet (After B. Bart\u00f3k): I. Allegretto – II. Andante – III. Gayly – Edward GRIEG:<\/strong> Last Spring, Op. 33, No. 2 (Arr. by Jean-Fran\u00e7ois Michel) – Jean-Fran\u00e7ois MICHEL:<\/strong> Essai, Suite for Brass Quartet: I. Allegro ma non troppo – II. Andante – III. Moderato ma giocoso – IV. Lento – V. Presto.<\/p>\n

Fribourg Brass Quartet: Jean-Fran\u00e7ois Michel & Guy Michel<\/strong>, Trumpet – Dany Bonvin & Pascal Widder<\/strong>, Trombone.<\/p>\n

https:\/\/jean-francois-michel.com<\/a><\/p>\n

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Original music or transcriptions? For the Fribourg Brass Quartet, the answer lies not in choosing one or the other but in building a repertoire originally limited to ancient or contemporary music. Renaissance music has, on one hand, its attraction to brass with the color and emphatic rhythms of its dances, and, on the other, the more restrained warmth and character present, for example, in the Pavane<\/strong><\/em>.<\/p>\n

The austere Gaillarde<\/strong><\/em> by Frescobaldi is a solid construction in fugue that portrays the first period of the Baroque. Bruckner\u2019s remarkable Ave Maria<\/strong><\/em>, classic, expressive, noble, provides an entrance for an all-too-rare masterwork of original music for brass, Morgenmusik<\/strong><\/em> by Paul Hindemith. In devoting much of this record to lighter music, which should not be taken to imply less dedication to its interpretation, the Fribourg Brass Quartet addresses composers, works, or styles generally not present in traditional repertoires of chamber music for brass. The suite from Tchaikovsky\u2019s Album Pour les Enfants<\/strong><\/em> is an example.<\/p>\n

In Bela Bartok\u2019s three Hungarian dances, as in Grieg\u2019s Spring<\/strong><\/em>, we see the influence of musical folklore, which also inspired Tchaikovsky\u2019s suite and is the source of the English song, Greensleeves<\/strong><\/em>.<\/p>\n

J-F Michel\u2019s Suite<\/strong><\/em> is a light divertissement of color and feeling as enchanting to musicians as to listeners.<\/p>\n

It was at an evening of chamber music in 1977 that the Fribourg Brass Quartet was formed. Concerts, recording sessions, and radio contests have given the quartet a larger audience. Notable was a first prize award at the Riddes national competition for youth in 1981.<\/p>\n

The Fribourg Brass Quartet is composed of Jean-Francois Michel, solo trumpet with the Philharmonic Orchestra of Munich, Guy Michel, solo trumpet with the Symphony Orchestra of Bienne, Dany Bonvin, solo trombone with the Philharmonic Orchestra of Munich, and Pascal Widder, professor at the Fribourg Conservatory of Music.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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