{"id":44088,"date":"2010-01-01T21:00:37","date_gmt":"2024-12-10T13:57:50","guid":{"rendered":"https:\/\/vdegallo.com\/fr\/?post_type=product&p=44088"},"modified":"2024-12-10T14:57:51","modified_gmt":"2024-12-10T13:57:51","slug":"tribute-to-carlo-boller-recorded-live-during-the-concert-on-may-16-1971-at-the-salle-du-pavillon-in-montreux","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/en\/produit\/tribute-to-carlo-boller-recorded-live-during-the-concert-on-may-16-1971-at-the-salle-du-pavillon-in-montreux\/","title":{"rendered":"Tribute to Carlo Boller, recorded live during the concert on May 16, 1971, at the Salle du Pavillon in Montreux"},"content":{"rendered":"

Traditional:<\/strong> Ouverture – Carlo BOLLER \/ Maurice BUDRY:<\/strong> Chant du drapeau – La chanson du dimanche – Carlo BOLLER \/ Fernand RUFFIEUX:<\/strong> La Ronde du printemps – Carlo BOLLER \/ Maurice BUDRY:<\/strong> La vigne de printemps – Le Berceau du printemps – Carlo BOLLER \/ Robert JAQUET:<\/strong> Par un beau jour de mai – Traditional:<\/strong> A la claire fontaine (Arr. by. Carlo Boller) – Carlo BOLLER \/ Fernand RUFFIEUX:<\/strong> Nostalgie – Les armaillis du Pays bas – Carlo BOLLER \/ Robert JAQUET:<\/strong> Les faneuses – Carlo BOLLER \/ Maurice BUDRY:<\/strong> Hymne \u00e0 la patrie – Traditional:<\/strong> Agonie (Still Away) [Arr. By. Carlo Boller] – Terre promise (Deep River) [Arr. By. Carlo Boller] – Carlo BOLLER \/ Traditional:<\/strong> Christus Vincit – Traditional:<\/strong> Le Petit Gars (Arr. By. Carlo Boller) – L’amour de moy (Arr. By. Carlo Boller) – De quoi nourrit-on les femmes (Arr. By. Carlo Boller) – Carlo BOLLER \/ Louis GRIVEL:<\/strong> Sylvie – Carlo BOLLER:<\/strong> Addio mia bella – Carlo BOLLER \/ Maurice BUDRY:<\/strong> Bon voyage, vin de ma vigne – Le vigneron monte \u00e0 sa vigne<\/p>\n

La Lyre de Montreux, Henri-Robert Ruchet,<\/strong> Conductor
\nCh\u0153ur des Alpes de Montreux, Olivier Nussl\u00e9<\/strong> Conductor
\nPetit Ch\u0153ur du Coll\u00e8ge de Montreux, Michel Hostettler,<\/strong> Conductor
\nLa Montreusienne, Olivier Nussl\u00e9,<\/strong> Conductor
\nLa Chanson de Montreux, Danielle Dubois,<\/strong> Conductor
\nL’Orph\u00e9on de Neuch\u00e2tel, Francis Perret,<\/strong> Conductor
\nCh\u0153ur Mixte de Bulle, Paul-Andr\u00e9 Gaillard,<\/strong> Conductor
\nCh\u0153ur d’Hommes Francis Perret, Francis Perret,<\/strong> Conductor
\nCh\u0153ur Mixte Paul-Andr\u00e9 Gaillard, Paul-Andr\u00e9 Gaillard,<\/strong> Conductor
\nCh\u0153ur d’Hommes Olivier Nussl\u00e9, Olivier Nussl\u00e9,<\/strong> Conductor
\nCh\u0153ur d’Hommes de Glion, Baptiste Bortolotta,<\/strong> Conductor<\/p>\n

\n

Son of Jean-Henri Boller and Rose-Marie n\u00e9e Grande of Italian origin, Carlo Boller was born in Menton, on the French Riviera, on May 4, 1896. His father worked as a tailor-cutter and spent most of his professional life between Menton in the winter and Montreux in the summer. The Bollers originated from Pf\u00e4ffikon in the Oberland region of the canton of Zurich, where a family by this name was already mentioned in 1423.<\/p>\n

From a very young age, Carlo studied violin with Ladislas Gorki, a virtuoso of Polish origin who gave him the nickname Carlo. Later, he came under the patronage of Abb\u00e9 Bernard Kolly, a friend of the arts and companion of Abb\u00e9 Joseph Bovet. At the age of sixteen, he performed as a soloist in Montreux with the Kursaal orchestra, and on August 8, 1920, he played a Bach chaconne during the inauguration of the organ at the parish church of Le Ch\u00e2telard, where Bovet\u2019s Dismas<\/em> was premiered. He also gave a recital with pianist Clara Haskil in Neuch\u00e2tel in 1922 and collaborated with the Ribaupierre Quartet, consisting initially (1917\u20131924) of Andr\u00e9 and \u00c9mile de Ribaupierre (violins), Carlo Boller (viola), and Jean D\u00e9costerd (cello). He went to Paris to continue his studies but had to abandon his career as a violinist after developing a cramp in the little finger of his left hand (commonly known as “violinist’s cramp” and now identified as focal dystonia).<\/p>\n

In 1927, with the help of Gustave Daumas, Marc de Ranse, and Paul Donc\u0153ur, he published the first version of the popular songbook Roland<\/em>.<\/p>\n

He then found a new direction at the Schola Cantorum in Paris, where he came under the influence of Vincent d\u2019Indy. He persevered in music, becoming a conductor (winning first prize in 1928 and earning his diploma in 1932) with a growing interest in folk songs. In 1926, still in Paris, he met his future wife, Erminia Martini, a student from Cremona, with whom he had five children: Jean-Marie, Fran\u00e7oise, Marie-No\u00eblle, Rose-Marie, and Fran\u00e7ois. Their marriage was celebrated in Ch\u00e2tel-Saint-Denis on December 29, 1928.<\/p>\n

Upon returning to Switzerland, he settled in Vevey, where he conducted several choirs and groups from the Vaud and Fribourg regions. He succeeded Abb\u00e9 L\u00e9on Sesti as conductor of the women\u2019s choir in Nyon, “Les Chanteuses de la Colombi\u00e8re,” which he led until after World War II and with which he recorded his first discs. That same year, the “Groupe choral de Gruy\u00e8res” invited him to take over its direction, as did the Vocal Quartet of the Scouts of Ch\u00e2tel-Saint-Denis. From 1933 to 1939, he conducted the “Mixed Choir of the Teaching Corps of Vevey-Montreux,” where his pedagogical skills were highly appreciated. From 1932 to 1952, he directed the “Union Chorale of La Tour-de-Peilz.” In 1935, he moved to the Villa Sainte-Claire in Montreux. From 1934 to 1952, Boller conducted the “Mixed Choir of Bulle,” which he imbued with his tireless work ethic and personal charisma. With this ensemble, sometimes joined by the City Orchestra of Bulle, he premiered the Pastorale Gru\u00e9rienne<\/em>. With the Bulle choir, he also presented several classical works by Bach, Haydn, and Gluck, including Orfeo ed Euridice<\/em>. In 1935, he succeeded Alexandre D\u00e9n\u00e9r\u00e9az as conductor of the “Men\u2019s Choir of Lausanne.” In 1936, he took over the “Ch\u0153ur des Alpes” in Montreux. In 1937, he founded the “Chanson Vaudoise,” which often performed abroad. In 1939, he founded the remarkable “Chanson de Montreux,” a group that quickly gained fame in Switzerland and internationally. That same year, Boller brought together a large choir for the National Exhibition in Zurich.<\/p>\n

From 1942 to 1952, Boller became associated with the city of Neuch\u00e2tel, conducting the men\u2019s choir “L\u2019Orph\u00e9on” and forming a small children\u2019s choir in Corcelles (NE) for which he composed the delightful Petit Chaperon Rouge<\/em>. In the canton of Valais, he directed the “Petit Ch\u0153ur des Mayens de Sion.” In 1951, Boller united the “Mixed Choir of Bulle” and the “Union Chorale of La Tour-de-Peilz” to stage Vincent d\u2019Indy\u2019s Le Chant de la Cloche<\/em>, which he conducted in Menton with the Nice-C\u00f4te d\u2019Azur Orchestra. This memorable concert marked the centenary of d\u2019Indy\u2019s birth. Boller also prepared choirs for Arthur Honegger\u2019s Saint Fran\u00e7ois d\u2019Assise<\/em> (1949) and Darius Milhaud\u2019s Barba Garibo<\/em> (1949\u20131950).<\/p>\n

Wikipedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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