{"id":31428,"date":"2021-07-25T19:10:50","date_gmt":"2021-07-25T17:10:50","guid":{"rendered":"https:\/\/vdegallo.com\/fr\/?post_type=product&p=31428"},"modified":"2025-07-17T18:54:22","modified_gmt":"2025-07-17T16:54:22","slug":"jean-perrin-compositeur-et-interprete-une-vie-au-piano","status":"publish","type":"product","link":"https:\/\/vdegallo.com\/fr\/produit\/jean-perrin-compositeur-et-interprete-une-vie-au-piano\/","title":{"rendered":"Jean-Perrin, compositeur et interpr\u00e8te – Une vie au piano"},"content":{"rendered":"

Jean PERRIN:<\/strong><\/p>\n

4 Intermezzi, Op. 29<\/strong>
\nNo. 1 Andante tranquillo senza rigore
\nNo. 3 Adagio
\nJean Perrin<\/strong>, piano.<\/p>\n

Horn Sonata, Op. 7<\/strong>
\nI. Grave. Adagio ma non troppo
\nII. Allegro ben cadenzato
\nIII. Andante ben moderato ma con moto
\nJozsef Molnar<\/strong>, cor – Jean Perrin<\/strong>, piano.<\/p>\n

Cello Sonata, Op. 11<\/strong>
\nI. Allegro moderato e ben marcato
\nII. Adagio
\nIII. Allegro vivo
\nJean de Spengler<\/strong>, violoncelle – Jean Perrin<\/strong>, piano.<\/p>\n

Flute Sonata, Op. 12b<\/strong>
\nI. Allegro non troppo
\nII. Adagio
\nIII. Allegro vivo
\nPierre Wavre<\/strong>, fl\u00fbte – Jean Perrin<\/strong>, piano.<\/p>\n

Secundum Paulum<\/strong>
\nHans-Peter Graf<\/strong>, t\u00e9nor – Curzio Petraglio<\/strong>, clarinette – Emmanuelle Goffart<\/strong>, violoncelle – Jean Perrin<\/strong>, piano.<\/p>\n

\n

UNE VIE AU PIANO<\/strong>
\nToute sa vie, Jean Perrin entretint un lien intime avec le piano : il commencera par entendre sa m\u00e8re Julia et son oncle Charles Rathgeb en jouer ; tr\u00e8s t\u00f4t il fr\u00e9quentera assid\u00fbment les salles de concerts et y entendra les plus grands pianistes de l\u2019\u00e9poque (ses idoles seront Wilhelm Backhaus, Alfred Cortot et Edwin Fischer) ; avec ces deux derniers il aura m\u00eame le privil\u00e8ge de travailler, devenu lui-m\u00eame un pianiste m\u00e9daill\u00e9 du Concours de Gen\u00e8ve en 1943 (parmi les membres du jury : Nikita Magaloff, Edwin Fischer et Dinu Lipatti) ; enfin il l\u2019enseignera, tant au Conservatoire de Lausanne qu\u2019\u00e0 celui de Sion o\u00f9 il se voit confier, en 1949, la classe sup\u00e9rieure.<\/p>\n

Auparavant il avait re\u00e7u une s\u00e9rieuse formation sous la houlette de Mme Genevi\u00e8ve Andr\u00e9-Court, qu\u2019il qualifiait avec respect de \u00ab femme tr\u00e8s cultiv\u00e9e \u00bb, puis de Charles Lassueur (classe de Virtuosit\u00e9).
\nIl continuera \u00e0 se perfectionner avec le grand pianiste b\u00e2lois \u00e9tabli \u00e0 Berne Franz-Josef Hirt (1899-1985), disciple de Busoni, Petri et Cortot, qui d\u00e9veloppera consid\u00e9rablement la palette et les moyens de notre jeune artiste en vue du concours de Gen\u00e8ve ; Jean Perrin pourra encore b\u00e9n\u00e9ficier des conseils d\u2019Yves Nat \u00e0 Paris en 1947.<\/p>\n

\n

CD 1650 Booklet.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

 <\/p>\n

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