Offrande musicale - Jeanne Bovet (2 CD)

Offrande musicale – Jeanne Bovet

CD1:
Johann Sebastian BACH: Gottes Zeit ist die allerbester Zeit, BWV 106 “Actus Tragicus”: I. Sonatina – Raphaële LÉPINE: Le Poème du Vieux Rompon: Vision saisissante – Les mois ont passé – La grande aventure de Rompon – Portée par ce rayonnement mystique – C’est Jean-Sebastien Bach – La musique s’est tue – Juin – Insoutenable beauté des ciels – Qu’elle soit ardente ou passionnée – Qu’elle nous transporte – Ou qu’elle nous plonge au cœur d’une poignante nostalgie – Toutes ces résonances – Mais cela ne dure pas – L’été arrive à son déclin – L’âtre s’éteint – César FRANCK: Variations symphoniques, Op. 46

Jeanne Bovet, piano et paroles
https://fr.wikipedia.org/wiki/Jeanne_Bovet

*Orchestre de Chambre de Lausanne, Alfred Cortot, Conductor

CD2:
Franz LISZT: Consolations, S. 172: I. Andante con moto – II. Un poco più mosso – III. Lento placido – IV. Quasi Adagio – V. Andantino – VI. Allegretto sempre cantabile – Marie MAURON: Evocations provençales: Texte 1 – Chaude DEBUSSY: Préludes, Book 1, CD 125: V. Les sons et les parfums tournent dans l’air du soir – Texte 2 – Préludes, Book 1, CD 125: I. Danseuses de delphes – Texte 3 – Préludes, Book 2, CD 131: V. Bruyères – Texte 4 – Préludes, Book 2, CD 131: VII. La terrasse des audiences du clair de lune – Texte 5 – Préludes, Book 1, CD 125: III. Le vent dans la plaine – Texte 6 – Préludes, Book 1, CD 125: II. Voiles – Texte 7 – Préludes, Book 1, CD 125: X. La cathédrale engloutie – Johann Sebastian BACH: Piano Concerto No. 5 in F Minor, BWV 1056: II. Largo

Jeanne Bovet, piano
Marie Mauron, paroles
https://mariemauron.fr/marie-mauron/

Jeanne Bovet

Raised in a family of musicians, Jeanne Bovet had no difficulty in asserting her passion for music. At the age of six, after having been in close companionship with her Blüthner grand piano since early childhood, she entered the Conservatory of Neuchâtel, Switzerland, where she received the fundamental and highly important teaching of three exceptional professors: Mrs Colin-Thomas, Louis Kelterborn and Fritz-Hans Rehbold.

At the age of 15, after her application for the piano and organ diplomas had been refused — the required age being 18 — she fulfilled her deepest wish: to study with the pianist Alfred Cortot at the École Normale de Musique in Paris. She completed the full course of licences under the guidance of Marthe Morhange, Yvonne Lefébure, Nadia Boulanger, Charles Koechlin, Olivier Messiaen, Charles Münch, Igor Stravinsky, and of course Alfred Cortot, with whom she developed a warm musical bond that lasted until his death — around a hundred letters from all corners of the world… Her fellow students included Dinu Lipatti, Samson François, Hélène Boschi, the violinist Ginette Neveu, and later Miguel-Angel Estrella.

It was also at the École Normale that she met Paul Dukas, Francis Poulenc, Jean Hubeau, Lazare Lévy, Jacques Thibaud and Charles Panzéra…

CD-1761-1762 Booklet.pdf